This past week I attended the Toronto screening of Cultures of Resistance (the team who did the promo video for my upcoming book) executive produced by Iara Lee who also directed Synthetic Pleasures (1995), Modulations (1998), and Beneath the Borqa in Afghanistan (2002). The documentary is screened throughout the world and is generally free admission. The Toronto showing was successful, attendance was at capacity and I was heartened to witness film goers approach the open mic after the film and voice on how our localities can contribute to cultures of resistance.
The premise behind Cultures of Resistance (COR) are communities who use arts and culture (as opposed to weaponry) to resist oppression throughout the world. It is my impression that Iara Lee is a pacifist who seeks non-violent resistance to oppression in all its forms. The COR film is situated in disparate locations as Brazil, Lebanon, Iran, Occupied Palestine, Burma, and throughout Africa to name a few. First the film identifies conflict in said places, like Israel-controlled Palestine, brutality against the populace (including monks) in Burma, resource exploitation and wholesale slaughter in Africa such as in Liberia, Congo, and Rwanda, and the impending invasion of Iran. Subsequent to identifying some of the issues, COR provides concrete examples of how poetry, music, film, dance, paintings and other artistic expression helps bring awareness, break down racial/social barriers, and resist injustice. To the film’s credit, examples of where non-violent resistance did not work is also shown such as in the Congo where peaceful resistance leaders were strung-up by despots. The Congolese resistance have resorted to armed struggle since. Another case was in Burma where the Buddhist Monks had large numbers of their ranks tortured and murdered since their peaceful protests, their price was steep and the best they got from their actions was perhaps world-awareness of just how brutal the Burmese government is. It is a sign of maturity and sophistication when a director can present both sides to problem solving, though COR’s bias rests firmly in the non-violence camp. The topic is vast and COR may require more than one viewing for the audience to absorb the deluge of information the film presents. It is a great way to bring awareness on timely issues going on in the world and artistic ways of resistance. A personal favorite is the Iranian hip hop group Mahdyar.
Support the film and please attend if it is playing in your city, or pick up the DVD if possible.

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